Friday, August 28, 2020
Pub #31 -- Yachats Brewing & Farmhouse, Yachats, May 23
Play #41 -- A Streetcar Named Desire, National Theatre at Home, May 22
This is a huge play for us, given C's run in Pentacle Theatre's 2012 production of the same show. We've seen it at Oregon Shakespeare Festival and Portland Center Stage, in the film version with Marlon Brando, and now this production, with Gillian Anderson of X-Files fame.
It was a very strong production, with a relatively small set of the two-room house constantly rotating for the audience in the round. Anderson's Blanche was pretty good, without having as much pathos as some actresses bring to the role. But the actors who played Stanley and Stella were the truly brilliant members of this company. The visceral animal passion that supposedly brought them together explodes in a few key moments. Ben Foster, the out of control brother in "Hell or High Water" and the traumatized homeless veteran living in Portland's Forest Park with his daughter in "Leave No Trace," has a humongous presence as Stanley.
https://www.nationaltheatre.org.uk/shows/nt-at-home-a-streetcar-named-desire
Play #40 -- Barber Shop Chronicles, National Theatre at Home, May 19
This contemporary play by young Nigerian-English playwright, Innua Ellams, was a deep dive into the shared culture of the African barbershop. For men all over Africa, the barbershop is a deeply valued hangout for men to talk trash and kid and tease and share the pain and challenges in their lives.
I really liked this play, but I wish I would have turned on closed captioning, as the many different African accents were sometimes challenging to decipher.
https://www.nationaltheatre.org.uk/shows/nt-at-home-barber-shop-chronicles
'I became a black man when I arrived in England': Inua Ellams on his play Barber Shop Chronicles
https://www.youtube.com/watch?v=lSy73_dPKbA&feature=emb_title
Play #39 -- Two Noble Kinsmen, Shakespeare's Globe, May 16
Two Noble Kinsmen is one of the "obscure" Shakespearean plays in the canon. Some scholars question whether he even wrote it, and the general sense seems to be that he co-wrote it. We'd only seen it once before in person, not finding it terribly exciting. But once again the Globe Theatre came through with an exciting, entertaining production that brought this somewhat odd play to life.
https://www.shakespearesglobe.com/watch/the-two-noble-kinsmen-2018-youtube-premiere-2020/
Play #38 -- Frankenstein, National Theatre at Home, May 3
Benedict Cumberbatch as Frankenstein's monster? Yes, please!
Opening with a 5-minute creation/birth scene of the monster coming to life while writing around on the ground, the play began with mystery and fear and distrust. Although an elderly blind man showed kindness to the monster, few others did.
For this production, Cumberbatch and Jonny Lee Miller traded the lead roles of Frankenstein and the monster on alternating nights. We only watched the one with Cumberbatch as the monster.
https://www.nationaltheatre.org.uk/shows/nt-at-home-frankenstein
Play #37 -- Twelfth Night, National Theatre at Home, April 29
Twelfth Night is another great Shakespeare comedy, with the usual Shakespearean gender bending, mistaken identity, and witty repartee. In this production, Malvolia, the butt of many jokes, is played by well-known English TV comedian Tamsin Greig. The rotating, pyramidal set was amazing, and the cast's energy was very engaging.
https://www.nationaltheatre.org.uk/shows/nt-at-home-twelfth-night
Play #36 -- Treasure Island, National Theatre at Home, April 18
This was a fun, energetic adaptation of Robert Louis Stevenson's book. I don't think I ever read or saw it, although it's deeply embedded in the cultural imagination.
https://www.nationaltheatre.org.uk/shows/nt-at-home-treasure-island
Monday, August 24, 2020
Play #35 -- Hamlet, Shakespeare's Globe, April 16
Sure, we've seen Hamlet plenty of times, including last summer (Play #7). But the Globe's version, with cross-gender casting of most of the younger generation characters, was brilliant and moving. Michelle Terry, the Globe's artistic director, played Hamlet. Seeing this classic conflicted character in a woman's body brought out new perspectives on Hamlet's anger at her mother's betrayal and her wrestling with questions of meaning and being.
https://www.shakespearesglobe.com/watch/hamlet-2018-youtube-premiere-2020/
To see many of the Globe's shows, go to https://globeplayer.tv/all
Play #34 -- Jane Eyre, National Theater at Home, April 10
One of the great things about National Theater productions is the set design. They have so much space (and money) that they are able to do amazing things. C got particularly excited by this aspect.
She loved this show, but frankly, I was a bit lost (I haven't read the book) and very tired. After falling asleep during the first half, I gave in to what my body was telling me and went to bed at intermission.
https://www.nationaltheatre.org.uk/shows/nt-at-home-jane-eyre
Looks like I can make another go at watching the whole thing (as can you), thanks to a copy being uploaded to Vimeo.
Play #33 -- One Man, Two Guvnors, National Theater at Home, April 4
So we almost made it through two-thirds of our play-going goal before the option of attending any plays in person became an impossibility. I guess we shouldn't have slowed down so much during the winter. We even skipped some available local shows because we thought we had plenty of time. Oh well.
We
ended up seeing 64% of our goal (32 of 50) in 53% of our allotted time (284 of 537 days),
so we definitely would have made it, especially with three Broadway shows in
July (including Hamilton and Hadestown), and nine OSF shows in August and October.
Those
first few weeks and months of the shutdown were full of plenty of grief over missed opportunities and canceled plans, even
if much of it was due to classic “first-world problems.”
Then
NT Live pivoted to National Theatre at Home and came to our (and many others') rescue, providing super high-quality
theater in the comfort of our own home, for free! A new show was made available every week, but
that also meant we had to get it watched right away! Along with NT at Home, the Globe (London) and
Stratford Festival (Canada) were also showing free plays on film. At first we were very excited, but it eventually
became a little overwhelming.
First
up was One Man, Two Guvnors, featuring The Late,
Late Show host James Corden. This was
the show that launched Corden’s starry career of Carpool Karaoke and hosting the Tony Awards.
I
loved it. Didn’t expect to, but I
did. I even wrote to my family and
friends, encouraging them to see it!
“C and I watched this last night. I wasn't too sure about it
at first, but it was totally hilarious and farcical, in the best possible way,
especially at this time. As the review below points out (which I didn't realize
before watching it), it's based on the classic 18th century farce, The Servant
of Two Masters. It's also the play that launched James Corden to his
present success, back in 2011.”
We weren't sure we were going to count these plays (on film), but given that we had no option to watch live plays, many of our friends thought it was entirely legit. So we're going for it!
Pub #30 -- McMenamin's on Monroe, Corvallis, March 13
Pub #29 -- Mazama Brewing, Corvallis, March 6
Sunday, August 23, 2020
Play #32 -- The Secret Garden, OSU Theaters, February 29
Play #31 -- A Gentleman's Guide to Love and Murder, Albany Civic Theatre, February 6
A Gentleman's Guide is a fun, farcical musical and Tony-award winning Broadway show of dubious storyline. ACT's personnel pulled off the challenging musical rather well, with well-known local actor, Dean Keeling, playing eight different members of the D'Ysquith family, all of whom just happen to die grisly deaths. As they say, it's not a "whodunit," it's a "how-did-he-do-it!"
While it hasn't lasted long in my memory, it was a thoroughly entertaining night at the theater.










