Friday, August 28, 2020

Pub #31 -- Yachats Brewing & Farmhouse, Yachats, May 23

Takeout-only wasn't the way we envisioned going to Yachats Brewing for the 50 in 50, but hey, when in Covid times, you do what you gotta do.  

After two months of mostly staying at home, with a few outings for takeout food, it was a wonderful experience to visit one of the coast's best brewpubs.  Yachats Brewing is not only good at brewing beer, but they're also big on fermented foods.  It was great to be back, even if we did have to take the food back to the beach house.

Vine Maple Smoked Chicken Salad Sandwich
Vine Maple Smoked Brisket Sandwich
Smoked Salmon Chowder

Dancing Star - Barrel Aged Saison with Mixed Berries
Unbuckle - Wild American Brown Ale





Play #41 -- A Streetcar Named Desire, National Theatre at Home, May 22

This is a huge play for us, given C's run in Pentacle Theatre's 2012 production of the same show.  We've seen it at Oregon Shakespeare Festival and Portland Center Stage, in the film version with Marlon Brando, and now this production, with Gillian Anderson of X-Files fame.

It was a very strong production, with a relatively small set of the two-room house constantly rotating for the audience in the round.  Anderson's Blanche was pretty good, without having as much pathos as some actresses bring to the role.  But the actors who played Stanley and Stella were the truly brilliant members of this company.  The visceral animal passion that supposedly brought them together explodes in a few key moments.  Ben Foster, the out of control brother in "Hell or High Water" and the traumatized homeless veteran living in Portland's Forest Park with his daughter in "Leave No Trace," has a humongous presence as Stanley.

https://www.nationaltheatre.org.uk/shows/nt-at-home-a-streetcar-named-desire

Play #40 -- Barber Shop Chronicles, National Theatre at Home, May 19

This contemporary play by young Nigerian-English playwright, Innua Ellams, was a deep dive into the shared culture of the African barbershop.  For men all over Africa, the barbershop is a deeply valued hangout for men to talk trash and kid and tease and share the pain and challenges in their lives.  

I really liked this play, but I wish I would have turned on closed captioning, as the many different African accents were sometimes challenging to decipher.

https://www.nationaltheatre.org.uk/shows/nt-at-home-barber-shop-chronicles

https://www.theguardian.com/stage/2017/jun/11/barber-shop-chronicles-dorfman-london-review-cut-above-the-rest

'I became a black man when I arrived in England': Inua Ellams on his play Barber Shop Chronicles

https://www.youtube.com/watch?v=lSy73_dPKbA&feature=emb_title

Play #39 -- Two Noble Kinsmen, Shakespeare's Globe, May 16

Two Noble Kinsmen is one of the "obscure" Shakespearean plays in the canon.  Some scholars question whether he even wrote it, and the general sense seems to be that he co-wrote it.  We'd only seen it once before in person, not finding it terribly exciting.  But once again the Globe Theatre came through with an exciting, entertaining production that brought this somewhat odd play to life. 

https://www.shakespearesglobe.com/watch/the-two-noble-kinsmen-2018-youtube-premiere-2020/

Play #38 -- Frankenstein, National Theatre at Home, May 3

 Benedict Cumberbatch as Frankenstein's monster?  Yes, please!

Opening with a 5-minute creation/birth scene of the monster coming to life while writing around on the ground, the play began with mystery and fear and distrust.  Although an elderly blind man showed kindness to the monster, few others did.

For this production, Cumberbatch and Jonny Lee Miller traded the lead roles of Frankenstein and the monster on alternating nights.  We only watched the one with Cumberbatch as the monster.

https://www.nationaltheatre.org.uk/shows/nt-at-home-frankenstein 

Play #37 -- Twelfth Night, National Theatre at Home, April 29

Twelfth Night is another great Shakespeare comedy, with the usual Shakespearean gender bending, mistaken identity, and witty repartee.  In this production, Malvolia, the butt of many jokes, is played by well-known English TV comedian Tamsin Greig.  The rotating, pyramidal set was amazing, and the cast's energy was very engaging.

https://www.nationaltheatre.org.uk/shows/nt-at-home-twelfth-night

Play #36 -- Treasure Island, National Theatre at Home, April 18

This was a fun, energetic adaptation of Robert Louis Stevenson's book.  I don't think I ever read or saw it, although it's deeply embedded in the cultural imagination.

https://www.nationaltheatre.org.uk/shows/nt-at-home-treasure-island

Monday, August 24, 2020

Play #35 -- Hamlet, Shakespeare's Globe, April 16

 Sure, we've seen Hamlet plenty of times, including last summer (Play #7).  But the Globe's version, with cross-gender casting of most of the younger generation characters, was brilliant and moving.  Michelle Terry, the Globe's artistic director, played Hamlet.  Seeing this classic conflicted character in a woman's body brought out new perspectives on Hamlet's anger at her mother's betrayal and her wrestling with questions of meaning and being.

https://www.shakespearesglobe.com/watch/hamlet-2018-youtube-premiere-2020/

https://www.independent.co.uk/arts-entertainment/theatre-dance/features/hamlet-globe-michelle-terry-shakespeare-gender-blind-cross-cast-as-you-like-ensemble-deaf-a8350886.html

To see many of the Globe's shows, go to https://globeplayer.tv/all

Play #34 -- Jane Eyre, National Theater at Home, April 10

One of the great things about National Theater productions is the set design.  They have so much space (and money) that they are able to do amazing things.  C got particularly excited by this aspect.

She loved this show, but frankly, I was a bit lost (I haven't read the book) and very tired.  After falling asleep during the first half, I gave in to what my body was telling me and went to bed at intermission.

https://www.nationaltheatre.org.uk/shows/nt-at-home-jane-eyre

Looks like I can make another go at watching the whole thing (as can you), thanks to a copy being uploaded to Vimeo.

https://vimeo.com/408897117

Play #33 -- One Man, Two Guvnors, National Theater at Home, April 4

So we almost made it through two-thirds of our play-going goal before the option of attending any plays in person became an impossibility.  I guess we shouldn't have slowed down so much during the winter.  We even skipped some available local shows because we thought we had plenty of time.  Oh well. 

We ended up seeing 64% of our goal (32 of 50) in 53% of our allotted time (284 of 537 days), so we definitely would have made it, especially with three Broadway shows in July (including Hamilton and Hadestown), and nine OSF shows in August and October.

Those first few weeks and months of the shutdown were full of plenty of grief over missed opportunities and canceled plans, even if much of it was due to classic “first-world problems.”

Then NT Live pivoted to National Theatre at Home and came to our (and many others') rescue, providing super high-quality theater in the comfort of our own home, for free!  A new show was made available every week, but that also meant we had to get it watched right away!  Along with NT at Home, the Globe (London) and Stratford Festival (Canada) were also showing free plays on film.  At first we were very excited, but it eventually became a little overwhelming.

First up was One Man, Two Guvnors, featuring The Late, Late Show host James Corden.  This was the show that launched Corden’s starry career of Carpool Karaoke and hosting the Tony Awards.

I loved it.  Didn’t expect to, but I did.  I even wrote to my family and friends, encouraging them to see it!

“C and I watched this last night. I wasn't too sure about it at first, but it was totally hilarious and farcical, in the best possible way, especially at this time. As the review below points out (which I didn't realize before watching it), it's based on the classic 18th century farce, The Servant of Two Masters. It's also the play that launched James Corden to his present success, back in 2011.”

https://www.broadwayworld.com/westend/article/BWW-Review-ONE-MAN-TWO-GUVNORS-National-Theatre-At-Home-20200403

We weren't sure we were going to count these plays (on film), but given that we had no option to watch live plays, many of our friends thought it was entirely legit.  So we're going for it!

Pub #30 -- McMenamin's on Monroe, Corvallis, March 13

The novel coronavirus was wreaking havoc with schedules left and right -- the NCAA basketball tournaments had just been canceled, my aunt's assisted living center had been locked down, and our church had decided to cancel in-person services -- but restaurants were still buzzing along.  We didn't know it at the time, but we took one of the last opportunities to dine in and notch another brewpub for a couple months.

McMenamin's is a special, Oregon-grown chain of brewpubs.  They've made their name by transforming old buildings of character into destination pubs and hotels.  My first introduction to a McMenamin's was at the High Street Cafe in Eugene.  A microbrewery neophyte in 1991, I was entranced by the funky environs of High Street, with its tie-dyed, Deadhead posters and maze-like hallways and little rooms. Then Terminator Stout -- and the fries, with peels still on! -- blew me away.

McMenamin's on Monroe is the second McM's in Corvallis, and is much more spacious and open than the other one.  But it's still got funky character (waterworks on the wall), Scooby Snacks (mini-corn dogs), and a great selection of beers.


We had a sampler, with Purple Haze, 2 Beans: Vanilla Coffee Cream Ale, McMenamin's Irish Stout (Nitro), Pole Ax, Currant Status, and (probably) O'Conner Irish Red.  Good times.




Pub #29 -- Mazama Brewing, Corvallis, March 6

In what was once Big River Restaurant on the Corvallis riverfront, we attended one of the more unfortunately-timed Grand Opening Celebrations ever.  Mazama Brewing Craft Beer & Kitchen couldn't have known when they planned this celebration that we'd be on the cusp of a global pandemic.  But there we were, eleven days before all Oregon restaurants had to close to in-person dining.

Mazama specializes in Belgian beer styles.  I'm pretty sure I got El Duque (or Grand Cru), but I don't actually remember and didn't seem to write it down.  Looks like C probably got the Saison.

I do like the beer and have plenty of good memories of eating at Big River and/or 101, so I do hope they outlast these crazy days.

Sunday, August 23, 2020

Play #32 -- The Secret Garden, OSU Theaters, February 29

This was the last live play we saw before the pandemic hit!

It's sort of sad, since I wasn't particularly impressed with the play or the story it was based on.  The OSU players featured many excellent singers, including our friend and fellow CMFer, Ellie Smith, and they did a fine job with what they had to work with.  But it was sort of like movies of books, where it feels as if they're skipping an awful lot of sections.  And they usually are.  I don't like being critical of local theater productions, but I wouldn't go to this show again, no matter who performed it.

Play #31 -- A Gentleman's Guide to Love and Murder, Albany Civic Theatre, February 6

 A Gentleman's Guide is a fun, farcical musical and Tony-award winning Broadway show of dubious storyline.  ACT's personnel pulled off the challenging musical rather well, with well-known local actor, Dean Keeling, playing eight different members of the D'Ysquith family, all of whom just happen to die grisly deaths.  As they say, it's not a "whodunit," it's a "how-did-he-do-it!"

While it hasn't lasted long in my memory, it was a thoroughly entertaining night at the theater.

http://www.albanycivic.org/shows/gentlemans-guide/

http://www.agentlemansguidebroadway.com/

Play #30 -- Guards! Guards!, Majestic Theatre, January 31

Terry Pratchett! Terry Pratchett!

My all-time favorite author (especially if you go by sheer number of books read), Sir Terry Pratchett, may not be well known to readers of this blog.  He's a contemporary English fantasy satirist (or satirical fantasist?), sort of a 20th/21st century Jonathan Swift (although it might be fairer to make that comparison if I'd actually read any of Swift's work -- but it's much easier this way).  He died too young in 2015, after a few years of living with Alzheimer's.

Although the bulk of his novels are set in Discworld, an alternate universe that strongly parallels our own -- while also paying homage to Middle-Earth, the themes and topics are decidedly relevant to this world, not to mention much of the geography and culture. It just might be easier to write about racism and ethnic conflicts (and to read about them) when the "races" are trolls and dwarves, or the oppressed "people" are goblins.  Politics, war, and religion are all frequent topics, portrayed with humour, insight, and plenty of footnotes.  Magic is a common overt plot element in Pratchett's books, but it's his ability to find and describe the magic in things we now take for granted -- rock music, movies, newspapers, banking, trains -- that makes him truly brilliant.

After reading through most of Pratchett's Discworld series twice (out loud, almost every night), we are finally one Tiffany Aching book away from finishing the canon.  I'm a little worried that once we finish it, I might finally realize he's dead and get awfully sad.

Anyway, a number of years ago an English playwright and fan of Discworld started adapting Pratchett's books into plays.  Majestic Theatre, led by local fan/actor/director John Carone, has now put on at least three of these plays.  "Guards! Guards!" is the first book of the "Ankh Morpork City Watch" series, featuring the so-down-to-earth-he's-basically-in-the-gutter Captain Vimes, the strapping young 6'6" "dwarf" Lance Constable Carrot (he's adopted), Lord Vetinari, the Patrician and self-described tyrant who makes the chaotic city work, and a number of dragons.  (Discworld has a number of "series within the series" -- the magicians of Unseen University, including the hapless Rincewind; the witches; including the young Tiffany Aching; the entrepreneurial scoundrel, Moist von Lipwig; and that ol' lovable anthropomorphic personification himself, Death).

Majestic did an admirable job with this show and its "cast of thousands," including many well-known local actors such as Laurie Mason as the Patrician, Johanna Spencer as Sgt. Colon, Rus Roberts as The Librarian (DON'T call him a monkey!), Nancy Homan as Lady Ramkin (or, more familiarly, Lady Sybil), and Rachel Kohler as the Footnote (yes, an anthropomorphic personification of a footnote).  

Although no one knew it at the time, this was Majestic's last in-person play before the Covid-19 shutdown.  C was actually in rehearsals for the next Majestic show on the schedule, The Curious Incident of the Dog in the Night Time, when society as we know it came to a screeching halt.

Play #29 -- School Girls; Or, The African Mean Girls Play, Portland Center Stage, January 25

Our third PCS show of the season was a challenging satire written by a playwright from Ghana.  To me it felt like a cross between Mean Girls and School Daze (a Spike Lee Joint), as it focused on the Miss Ghana pageant, perceptions of beauty, and the relative perceived value of light/dark skin.  I was really looking forward to it, and very much wanted to like it, but it didn't quite grab me emotionally.  Perhaps I wasn't the intended audience (male, white).  Probably so, given the lively audience reaction that many of the jokes and snappy, biting lines elicited.

Or perhaps I had just seen too many plays over the past few months...


Pub #28 -- Culmination Brewing, Portland, January 25

Another pub-n-play combo in Portland with our friends Heather and Mark.  With this one, they take the lead for Friends of the 50-in-50 with four brewpubs!

I loved the selection at Culmination.  Sours and saisons, kriek and chocolate stout for the non-IPA bunch, and even a candy cap mushroom beer for Mark!

Looks like the flight included...
2019 Kriek Mythology
Time Moves Slow
TrouBelle Saison
Choco Mountain Nitro Stout
Neon Valley II